A few months ago, one of my favorite award-winning filmmakers, Tom DiCillo – (Living in Oblivion, Delirious, When You’re Strange: A Film About The Doors) considered one of the founding fathers of New York independent film – found one of his student films, GOD SAVE THE KING.
GOD SAVE THE KING was DiCillo’s first sync sound film when he was in NYU film school. Back in 1977, student films were shot on real film and the move from silent to sound was considered a huge step. The original 16 mm print was recently discovered in a box under a bed in the basement of a juvenile correctional institution near Miami.
DiCillo wrote and directed the film, starring Liz Roker, Jay McCormack and Joe d’Angerio in his 2nd year at NYU. It was loosely based on an incident that had happened to him one steamy August night a few months earlier. The punk movement was in full spasm. For some performance photos needed for the film he went to CBGB’s one afternoon and they let him shoot Joe and Jay on the stage for 20 minutes.
After graduation DiCillo decided for some reason to scrape some money together and re-edit the film. He added titles, did a sound mix and made something that was almost unheard of for an ex NYU student with no job–a real 16mm print.
Eight years later when he submitted his first screenplay Johnny Suede to the National Endowment for the Arts, DiCillo sent the print of God Save The King as an example of his work. They gave him $25,000.
A year later he submitted the Johnny Suede screenplay to the Sundance Director’s Lab. Once again, he sent this only print of God Save The King as a directing sample. He got accepted.
In some ways you could say this little film started Tom DiCillo’s career.
(Published with permission from Tom DiCillo.)